10-Day Painting Challenge

I stumbled upon a 10-day painting challenge on Instagram co-hosted by Canvas; the company where I got my awesome desk lamp that lets me easily make time lapse videos for my socials and decided to sign up.

The challenge was hosted by Blue Pine Arts; a boutique watercolor supply company based in India, included a private Facebook group (over 600 people!) that I joined where we all shared our paintings each day and how we felt about them and the challenge. I’ve seen challenges like this a lot over the years, but 10 days felt much more doable than a 30-day or longer challenge.

When I saw this challenge, I realized that I hadn’t painted anything since March. I needed a kick in the butt to make more art, and this was it.

Now, what to paint… often the biggest challenge.

Day 1:

I started with absolutely NO idea what I wanted to paint. Thanks to Facebook memories reminding me of an awesome camping trip I took to Kents Lake in central Utah many years ago, I decided to paint that lake from a photo I took.

Honestly, I don’t like this painting at all. I felt rusty. I felt like my hands didn’t know what to do, what colors to choose, how to make the brushes do what I wanted. I kind of gritted my teeth to get it to a finished spot so I could move on. HERE you can watch the Reel I made for this one.

Day 2:

I opted to paint something well within my comfort zone so I could have at least one painting I knew I would be happy with. I painted a galaxy sky on a 4x6 piece of paper with some happy trees at the bottom. I limited palette to only phthalo blue, imperial purple, indigo, and white gouache for the stars. I kinda love it. You can watch a Reel of this painting HERE.

Day 3:

I tried something new on day 3. Upon seeing a handful of other paintings in the FB group I opted to try some misty mountains and trees. I have always struggled with getting wet-on-wet to do exactly what I want. Usually, I have blamed it on the dry Utah climate. One artist explained how she soaked her paper in a bathtub for a few minutes before starting her painting and all I could think of was, “why have I never tried that?!?!”

I submerged a piece of 300lb watercolor paper in a bin and let it sit for 5-ish minutes and went to town with indigo to just see what happened. After that first wash dried, I went in with varying shades of dark greens and blues to add trees and I really love how it turned out. This one was a win. You can watch the process for this painting HERE.

Day 4:

Continuing on this trend, I soaked Day 4’s paper in water too with the goal to attempt an aurora borealis. There are a few artists on SkillShare who’ve done aurora tutorials and I have never been able to get the paint to behave the same way. I honestly hate this painting and I think I have a ways to go to figure out this technique, but at least I learned a few things.

First, soaking the paper for 10 minutes helped a ton, but part of it still dried before i finished the first wash. In the future, I’m gonna try to soak the paper for longer AND paint faster.

Second, I need to choose my colors more wisely. These washes granulated a LOT more than I wanted. Granulation = that grainy separation in pigment. I think I’m good to keep the indigo, but I need to choose different blues and purples that don’t granulate as much. I know some artists love granulation. I do when I’m painting things like rocks, stone, or sand. But I don’t like it for this.

Day 4 was a learning experience, and I have no video of this because my phone filled up!!

Day 5:

I started Day 5 with the goal to paint Horseshoe Bend in Arizona from a photo I took a few years ago. Then my family was invited to spend a day at a lake with friends, so that won. I got it sketched out and some colors blocked onto the paper and left for the day.

Also on Day 5, I submerged a couple of 4x6 pieces of paper in water for 10 minutes and threw some indigo or dark green on them to see what would happen. I had zero plans for what they would be, just decided to let the art gods take the wheel.

Day 6:

I finished the painting of Horseshoe Bend. It was a little challenging to be loose with some of the texture of the sandstone and to not get nitpicky on the details. I did a lot of squinting and stepping away from this one so I didn’t overthink it. Overall, I love how it turned out and it keeps the somewhat “illustrative” style that I love to do when I paint red rock. HERE you can watch a Reel of this painting process.

Day 7:

For Day 7, I took one of the little papers I submerged in water on Day 5 and threw on some purples and pinks to see what evolved; thinking I’d do another galaxy. I ended up with what looked like pretty stormy clouds, so I added a horizon and some simple waves and voila! a moody seascape! HERE you can watch the reel I made for this one. I’m think I need to learn how to make some different waves. In hindsight, this moody sky deserved some more turbulent waves.

Day 8:

For Day 8, I started a larger painting of a part of Kanarra Falls in southern Utah. I was too ambitious with my time on this one. I got it started, but then had to take my kids to soccer and taekwondo. So Day 8 was a work-in-progress.

Day 9:

My family decided to spend the day (a Sunday) in the Uinta Mountains fishing, relaxing, and escaping the heat at home. We spent the day at Pass Lake, which is one of the many lakes along the Mirror Lake Scenic Byway in Utah. My husband and my boys did some fishing (my husband actually did catching). And I painted this little scene. It’s always fun to paint outside when the breeze makes the paint dry super fast. I was also grateful for that breeze keeping the mosquitoes away.

HERE you can watch a Reel of what I pack with in my Art Toolkit when I’m painting en plein air and the supplies I bring. Also, HERE is a reel of me painting this one.

Day 10 (and 11):

For Day 10 I finished the painting of a slot canyon in Kanarra Falls. Well, it took longer and spilled into Day 11 too, but I’m happy with how it turned out. I used watercolor, ink, and gouache.

This painting is an example of one I will probably tweak in Photoshop after scanning it. I want to lighten and adjust the saturation in a few spots to help with depth. Even when the painting part is done, I still consider a few unfinished until I can play with them on my computer. This is why I don't sell very many original paintings (maybe for the right price). We'll see if I can get it to a place where I am happy with it. HERE you can watch a Reel of this painting process.

All in all I am SO happy that I signed up for this painting challenge. I needed to pull myself out of a rut and I needed to relearn how to MAKE time for myself and my painting.

Lone Peak in Watercolor

I have wanted to do a larger painting of Lone Peak for quite a while. It’s the biggest and most prominent mountain that I see from the part of the Salt Lake Valley where I live. I periodically post images of my view on Instagram. You can see the vast differences in weather, light, and colors.

I did a little painting of Lone Peak at last year’s Art in the Barn, as it was viewed from the spot at Draper City Park where my booth was. When looking for photos of Lone Peak, there are many that are taken from the cirque; which is the little valley just below the summit on the east side of the mountain. When people are hiking to the summit, that’s the route that’s taken. I haven’t made it to the summit yet, so I didn’t want to post a photo of that view.

The cross country team my kids run with does weekly trail runs from different trails throughout the south Salt Lake Valley and one park in particular, Steep Mountain Park, has one of my favorite views of Lone Peak. So that’s the view I went with.

I usually have a plan in my head on how I will do any of my paintings… whether it’s a starry sky and what colors it will feature, or a clear day with clouds. With this one, I literally had NO idea what I wanted to do with the sky. I started with a basic blue sky wash and then went in with some toilet paper to lift out some clouds. The AC was on in my house and my wash was drying really fast, so that plan kinda went out the window.

Once I had that first wash done and dry, I decided to come back to it after finishing what I wanted to do with the mountain.

I thoroughly loved playing with the purples and teals in the shadows and figuring out what kind of colors made the sheet granite cliffs that adore the top of Lone Peak. My youngest son watched me for a little while and I was SO PROUD when he noticed the differences in the warmer, yellow-y greens of trees in the sun and the cool, bluer greens of trees in the shade.

When the mountain was all done, I did another wash of my sky blue to make it all darker and then I busted out my Himi gouache paints to figure out some clouds.

My first pass was an attempt to do wispy clouds and I ditched that idea pretty quickly. I don’t have enough experience with gouache to try and make it wispy like I could do with oil paints.

Instead I focused on making them fluffy and tried to give them some dimension and scale. I really like how they turned out.

And then the washi tape I was using to hold the paper down tore off a little bit of the sky!! I was so mad! At least that is easily fixed after I scan the painting and open it in Photoshop.

I am working on a way to have this painting done as a trucker hat for the running club my kids are on and eventually, I will have this available as a giclee print. So stay tuned.

Supplies: (a few are affiliate links)

• Daniel Smith Watercolor

• Himi Gouache Paint

• Polina Bright Watercolor Brushes

• Princeton Velvetouch Watercolor Brushes

• Fluid Cold Press 300lb Watercolor Paper

• Folio Palettes from Art Toolkit

• Canvas Lamp

You can watch a time lapse video of the process here:

4-Day Galaxy Skies Challenge

As part of my effort to light a fire under my butt to paint more often, I decided to participate in a 4-day galaxy skies painting challenge that I saw on SkillShare with artist Swathi Ganesha. Click here if you’d like to try a month of SkillShare for free.

Day 1: Monochrome

Day One was a monochrome painting, so just one color. I chose Phthalo Blue from Daniel Smith Watercolor and went to town making a basic diagonal edge to the Milky Way. There was something very freeing about doing all I could with just one color. Click here to watch a time lapse of this painting. A couple of tiny mountains at the bottom added some depth to this one.

I painted the stars using white gouache paint and a splatter method where I tap two brushes together. This is a method I used a lot when I was doing galaxy-dyed shoes and baby carriers a few years ago. I would use acrylic paint and it gave the most awesome and varied sizes of stars, but I had very little control over where they landed, and sometimes I’d end up with an odd-shaped glob of paint that wasn’t round. Also, paint ended up everywhere! Those reasons are why I originally used masking fluid and white pens to make stars for my watercolor paintings, but after using this splatter method again, and with gouache this time, I think it’s going to help me level-up on my galaxy stars.

I have an awesome set of gouache paints from Himi that my sister gave me for Christmas.

Day 2: Duo Chrome

Day Two was Duo Chrome, so two colors. I opted for Phthalo Blue again and added Quinacridone Rose. I haven’t been using very high quality paper for these; just a 4x6 pad that I got from Michael’s. Today the paper bowed down the middle when it was saturated and the paint was pooling along the bottom. I managed to dab the puddle with a tissue in an attempt to salvage it, but I almost tore it up and threw it away. Once I added stars, the painting redeemed itself.

I added a few happy trees and I was happy with how it ended up. Click here to watch the time lapse of this one.

Day 3: Three-Color Seascape

Day three; a three-color seascape, proved to be the most challenging. I have a palette of watercolor from Culture Hustle that I tried to use for all three colors. The lavender and turquoise just weren’t pigmented enough. So attempt one went into the trash. With attempt number two, I tried to use Phthalo Green straight for the aqua shade along the bottom, but it was way too green and I scrapped that one too.

For attempt number three, I premixed that aqua color using Phthalo Green and Cobalt Blue. Then I used Imperial Purple and the bright pink called Runaway from the Culture Hustle Watercolour Palette. I absolutely hated how the colors were coming together when they were wet. But once it dried and I added stars, it was worth saving. After adding some more definition in the ocean at the bottom, it avoided the recycling bin.

Click here to watch a time lapse of this painting.

Day 4: Dreamy Landscape

Day four was fun because I could use pretty much anything I wanted. I chose to limit myself to only four colors: Indigo, Moonglow (that purple shade), Phthalo Green, and Cobalt Blue. These colors are more muted than the ones I used before, but I still love how they turned out. This time the paper was cooperative and I was happy with how the paint behaved. I tried to be more patient and waited longer after applying paint to see how it spread and I think it paid off.

I opted for a few more happy trees and I love how it turned out. Click here to watch the time lapse of this one being painted.

I had such a fun time with this challenge, maybe I’ll do it again next week but with all different colors. Maybe if I can paint enough of these little paintings, I can have them for sale.

Land Beyond Zion at Winter Break

Over winter break, my family spent the Christmas holiday with my sister and her family in southern California. We drove there from Salt Lake City. My husband was only able to take off one of the two weeks from work, so as we headed home from SoCal, we dropped him off at the St George Airport and stayed in the southern Utah area for a couple of days; specifically Land Beyond Zion.

Land Beyond Zion is a fun campground/vanlife spot right on the UT/AZ border. Shanti has built out a beautiful place to camp comfortably with flush toilets, running water, an outdoor shower and claw foot tub, WiFi, and a shared outdoor kitchen. It has multiple sleep options: from BYO tent, RV, or van with full hookups to a canvas platform tent (with heater!), an RV, or a tiny house. There’s a lovely spot with hammocks hung, and a play area for kids. She has plans to continue building more amenities and dogs are welcome!

Kicking myself for not taking photos of the structures she’s built; mostly on her own too!

My oldest with Shanti’s dog, Sunny

It’s 30 minutes from Hurricane and 50 minutes to Zion National Park. It’s 20 minutes from Coral Pink Sand Dunes State Park. It’s super close to Gooseberry Mesa, about an hour to St George, and 90 minutes to Bryce Canyon National Park. It’s a wonderful basecamp to all kinds of outdoor exploration and adventures.

It actually rained most of the time we were there, so we did no hiking, but it was still fun and relaxing. We had no pressure to actually do anything… and we kind of didn’t. We played a competitive round of Phase 10, we chilled in hammocks, and we slept in; even thru an epic sunrise that Shanti was gracious enough to share a photo of.

One rainy afternoon, I attempted to paint that beautiful sunrise in watercolor and made a video of the process. You can view it here. At the end of the day, I couldn’t get my paints to make that peachy-pink sky (at least not at the vibrance I wanted, so I did another one after I got home in gouache. They’re very different, but I love both for different reasons.

As the rainstorms cleared and we headed home, we stopped at the Cinder Knoll trail in Hurricane to take photos of the Pine Valley Mountains with snow and Red Cliffs Desert Reserve in the foreground. The puddles were serendipitous.

Check out Land Beyond Zion on its own website, but also on AirBnB and HipCamp.

Shanti is hosting two retreats for adults this spring; one at the end of April that is hiking and running focused with Kathy Pugh. Click here for info about that retreat.

She’s hosting another at the end of May with amazing photographer Michelle Craig. Click here for info about the May retreat. If I didn’t have other stuff happening at the end of May, I’d be attending Michelle’s retreat!

Also… I love the logo I designed for Land Beyond Zion. It really turned out awesome. I’ll write a post about that on its own at some point.

Samy and Leo Painting

My friend and taekwondo master Samery asked me if I’d recreate this photo of her with her husky, Leo in watercolor and I was more than thrilled to do it for her. Corona Arch is one of my favorite hikes in the Moab, UT area as is apparent with how many times I’ve painted it.

This photo proved to be an interesting challenge with the position of the sun and shadows. Samy and Leo are sitting in the shadow of the arch with the sun behind the arch itself, but the shadows have been brightened up considerably. I chose to scoot them forward a little so I could give them a nice cast shadow. This grounded them to the rock better than when I tried to put them in the shade on an early sketch.

Of course, then I was left with what to do with the arch itself with the sun right behind it. The arch should be much darker than it really is and the sun causing a flare on either side. Rather than figure out how to do this in watercolor, I just gave everything a rim light; the arch, Samy, and Leo.

There’s just something cool about a rim light and a cast shadow.

What do you think?

I still go back and forth on whether these were wise decisions and I have debated brightening up the sky in that space where the sun is supposed to be, but the end result is still something I’m happy with. I’ll cut a custom mat for it before giving it to Samy.

Below you can view a TikTok video of the process in time lapse. I did continue to make a few changes after I stopped filming, but it’s pretty close.