10-Day Painting Challenge

I stumbled upon a 10-day painting challenge on Instagram co-hosted by Canvas; the company where I got my awesome desk lamp that lets me easily make time lapse videos for my socials and decided to sign up.

The challenge was hosted by Blue Pine Arts; a boutique watercolor supply company based in India, included a private Facebook group (over 600 people!) that I joined where we all shared our paintings each day and how we felt about them and the challenge. I’ve seen challenges like this a lot over the years, but 10 days felt much more doable than a 30-day or longer challenge.

When I saw this challenge, I realized that I hadn’t painted anything since March. I needed a kick in the butt to make more art, and this was it.

Now, what to paint… often the biggest challenge.

Day 1:

I started with absolutely NO idea what I wanted to paint. Thanks to Facebook memories reminding me of an awesome camping trip I took to Kents Lake in central Utah many years ago, I decided to paint that lake from a photo I took.

Honestly, I don’t like this painting at all. I felt rusty. I felt like my hands didn’t know what to do, what colors to choose, how to make the brushes do what I wanted. I kind of gritted my teeth to get it to a finished spot so I could move on. HERE you can watch the Reel I made for this one.

Day 2:

I opted to paint something well within my comfort zone so I could have at least one painting I knew I would be happy with. I painted a galaxy sky on a 4x6 piece of paper with some happy trees at the bottom. I limited palette to only phthalo blue, imperial purple, indigo, and white gouache for the stars. I kinda love it. You can watch a Reel of this painting HERE.

Day 3:

I tried something new on day 3. Upon seeing a handful of other paintings in the FB group I opted to try some misty mountains and trees. I have always struggled with getting wet-on-wet to do exactly what I want. Usually, I have blamed it on the dry Utah climate. One artist explained how she soaked her paper in a bathtub for a few minutes before starting her painting and all I could think of was, “why have I never tried that?!?!”

I submerged a piece of 300lb watercolor paper in a bin and let it sit for 5-ish minutes and went to town with indigo to just see what happened. After that first wash dried, I went in with varying shades of dark greens and blues to add trees and I really love how it turned out. This one was a win. You can watch the process for this painting HERE.

Day 4:

Continuing on this trend, I soaked Day 4’s paper in water too with the goal to attempt an aurora borealis. There are a few artists on SkillShare who’ve done aurora tutorials and I have never been able to get the paint to behave the same way. I honestly hate this painting and I think I have a ways to go to figure out this technique, but at least I learned a few things.

First, soaking the paper for 10 minutes helped a ton, but part of it still dried before i finished the first wash. In the future, I’m gonna try to soak the paper for longer AND paint faster.

Second, I need to choose my colors more wisely. These washes granulated a LOT more than I wanted. Granulation = that grainy separation in pigment. I think I’m good to keep the indigo, but I need to choose different blues and purples that don’t granulate as much. I know some artists love granulation. I do when I’m painting things like rocks, stone, or sand. But I don’t like it for this.

Day 4 was a learning experience, and I have no video of this because my phone filled up!!

Day 5:

I started Day 5 with the goal to paint Horseshoe Bend in Arizona from a photo I took a few years ago. Then my family was invited to spend a day at a lake with friends, so that won. I got it sketched out and some colors blocked onto the paper and left for the day.

Also on Day 5, I submerged a couple of 4x6 pieces of paper in water for 10 minutes and threw some indigo or dark green on them to see what would happen. I had zero plans for what they would be, just decided to let the art gods take the wheel.

Day 6:

I finished the painting of Horseshoe Bend. It was a little challenging to be loose with some of the texture of the sandstone and to not get nitpicky on the details. I did a lot of squinting and stepping away from this one so I didn’t overthink it. Overall, I love how it turned out and it keeps the somewhat “illustrative” style that I love to do when I paint red rock. HERE you can watch a Reel of this painting process.

Day 7:

For Day 7, I took one of the little papers I submerged in water on Day 5 and threw on some purples and pinks to see what evolved; thinking I’d do another galaxy. I ended up with what looked like pretty stormy clouds, so I added a horizon and some simple waves and voila! a moody seascape! HERE you can watch the reel I made for this one. I’m think I need to learn how to make some different waves. In hindsight, this moody sky deserved some more turbulent waves.

Day 8:

For Day 8, I started a larger painting of a part of Kanarra Falls in southern Utah. I was too ambitious with my time on this one. I got it started, but then had to take my kids to soccer and taekwondo. So Day 8 was a work-in-progress.

Day 9:

My family decided to spend the day (a Sunday) in the Uinta Mountains fishing, relaxing, and escaping the heat at home. We spent the day at Pass Lake, which is one of the many lakes along the Mirror Lake Scenic Byway in Utah. My husband and my boys did some fishing (my husband actually did catching). And I painted this little scene. It’s always fun to paint outside when the breeze makes the paint dry super fast. I was also grateful for that breeze keeping the mosquitoes away.

HERE you can watch a Reel of what I pack with in my Art Toolkit when I’m painting en plein air and the supplies I bring. Also, HERE is a reel of me painting this one.

Day 10 (and 11):

For Day 10 I finished the painting of a slot canyon in Kanarra Falls. Well, it took longer and spilled into Day 11 too, but I’m happy with how it turned out. I used watercolor, ink, and gouache.

This painting is an example of one I will probably tweak in Photoshop after scanning it. I want to lighten and adjust the saturation in a few spots to help with depth. Even when the painting part is done, I still consider a few unfinished until I can play with them on my computer. This is why I don't sell very many original paintings (maybe for the right price). We'll see if I can get it to a place where I am happy with it. HERE you can watch a Reel of this painting process.

All in all I am SO happy that I signed up for this painting challenge. I needed to pull myself out of a rut and I needed to relearn how to MAKE time for myself and my painting.

4-Day Galaxy Skies Challenge

As part of my effort to light a fire under my butt to paint more often, I decided to participate in a 4-day galaxy skies painting challenge that I saw on SkillShare with artist Swathi Ganesha. Click here if you’d like to try a month of SkillShare for free.

Day 1: Monochrome

Day One was a monochrome painting, so just one color. I chose Phthalo Blue from Daniel Smith Watercolor and went to town making a basic diagonal edge to the Milky Way. There was something very freeing about doing all I could with just one color. Click here to watch a time lapse of this painting. A couple of tiny mountains at the bottom added some depth to this one.

I painted the stars using white gouache paint and a splatter method where I tap two brushes together. This is a method I used a lot when I was doing galaxy-dyed shoes and baby carriers a few years ago. I would use acrylic paint and it gave the most awesome and varied sizes of stars, but I had very little control over where they landed, and sometimes I’d end up with an odd-shaped glob of paint that wasn’t round. Also, paint ended up everywhere! Those reasons are why I originally used masking fluid and white pens to make stars for my watercolor paintings, but after using this splatter method again, and with gouache this time, I think it’s going to help me level-up on my galaxy stars.

I have an awesome set of gouache paints from Himi that my sister gave me for Christmas.

Day 2: Duo Chrome

Day Two was Duo Chrome, so two colors. I opted for Phthalo Blue again and added Quinacridone Rose. I haven’t been using very high quality paper for these; just a 4x6 pad that I got from Michael’s. Today the paper bowed down the middle when it was saturated and the paint was pooling along the bottom. I managed to dab the puddle with a tissue in an attempt to salvage it, but I almost tore it up and threw it away. Once I added stars, the painting redeemed itself.

I added a few happy trees and I was happy with how it ended up. Click here to watch the time lapse of this one.

Day 3: Three-Color Seascape

Day three; a three-color seascape, proved to be the most challenging. I have a palette of watercolor from Culture Hustle that I tried to use for all three colors. The lavender and turquoise just weren’t pigmented enough. So attempt one went into the trash. With attempt number two, I tried to use Phthalo Green straight for the aqua shade along the bottom, but it was way too green and I scrapped that one too.

For attempt number three, I premixed that aqua color using Phthalo Green and Cobalt Blue. Then I used Imperial Purple and the bright pink called Runaway from the Culture Hustle Watercolour Palette. I absolutely hated how the colors were coming together when they were wet. But once it dried and I added stars, it was worth saving. After adding some more definition in the ocean at the bottom, it avoided the recycling bin.

Click here to watch a time lapse of this painting.

Day 4: Dreamy Landscape

Day four was fun because I could use pretty much anything I wanted. I chose to limit myself to only four colors: Indigo, Moonglow (that purple shade), Phthalo Green, and Cobalt Blue. These colors are more muted than the ones I used before, but I still love how they turned out. This time the paper was cooperative and I was happy with how the paint behaved. I tried to be more patient and waited longer after applying paint to see how it spread and I think it paid off.

I opted for a few more happy trees and I love how it turned out. Click here to watch the time lapse of this one being painted.

I had such a fun time with this challenge, maybe I’ll do it again next week but with all different colors. Maybe if I can paint enough of these little paintings, I can have them for sale.

Milky Way Over Sundial Peak & Winter Blues

There’s something to be said about noticing when you’re in a funk and acknowledging that it’s okay and just rolling with it. I first noticed it with my kids. We’re all cranky and mornings are tougher than usual. I told them both that it’s normal for this time of year. The holidays are over, it’s cold, it’s dark, and spring and summer feel a million years away. It feels like there’s nothing to look forward to like we had in November and December. My kids and I have deemed it the Winter Blues.

*Not to be confused with actual depression. Seasonal depression is real too, and I dunno, maybe I get a touch of it this time of year?

Somehow, acknowledging that we’re all feeling it made it suck a little less. We are hanging in there and simultaneously enjoying the snow we’re getting and also anxious for spring to get here.

Last week I realized I hadn’t done any painting since the end of December. And before that, I hadn’t painted since August. I had no motivation or inspiration; which sucks because I live in such a beautiful state!

Imposter Syndrome loves these moments and chimes in with little tidbits that sound like, “you aren’t skilled enough to paint that,” “don’t even start painting that, you won’t finish it,” and the ever popular, “paint that and everyone will learn how awful/fake/not-a-real-artist you are.” She’s a sneaky bitch.

Last summer, during one of my weekend shows, a guy asked how I made the stars on my Milky Way paintings. I told him that I was trying out different techniques as I went; some I used masking fluid, some I used white ink, some I used both. He commented that on a couple, it was hard to tell if I was going for stars or snow. I took no offense because his comment came from a place of pure analysis, but it did make me think. A few of my paintings are small, 8x10 or smaller. So when I’m using masking fluid, it can be more challenging to paint smaller stars if; especially if I’m just flinging masking fluid off of a brush.

One such painting was this one of Sundial Peak and Lake Blanche. This is a local mountain to me and one I am hoping to hike or backpack to this summer. The first time I painted it, I used masking fluid to make the stars. I splattered it on the page and then erased it off when the painting was done. It acts similarly to rubber cement. This original is maybe 8x10 inches, and I didn’t have the patience to make smaller stars by using a tiny brush and doing one at a time. You can watch a time lapse video of how I made this painting here.

I wanted to repaint this mountain on larger paper and see what I could come up with. This version has a bit more snow, more sky, and less of Lake Blanche. I skipped using masking fluid this time and made all of the stars with white pens.

This one took me more than a few days. I would paint a small part and step away for a day or two before coming back to it. I wasn’t thrilled with the mountains, feeling like they lacked some depth. Then I wasn’t happy with parts of the sky; the blues not inky enough. I wasn’t sure how I wanted to show the little bit of Lake Blanche that shows at the bottom. The reference images I had showed dark green spots where it was iced over.

I overthought this one a lot. Heck, I still am. I already know a few spots I want to change in Photoshop; like that stripe of snow down the middle that I didn’t intend to go almost perfectly vertical, LOL. I’ll scan this one and make it into prints and stickers…. after I’m happy with it.

Here you can watch the time lapse of how it was made.

Here’s a list of the supplies I used; including links. Some are affiliate links.

• Daniel Smith Watercolor

• Fluid 100 Cold Press 300lb Watercolor Paper

• Polina Bright Watercolor Brushes

• Princeton Velvetouch Brushes (Long Round in sizes 4, 8, and 12, and a flat 10)

• Pocket Palettes from Art Toolkit

• The World’s Colouriest Watercolor Set from Culture Hustle

• Uni-Ball Signo Broad Point White Gel Pen

• Zebra Fude Waterproof Brush Pens

…and the desk lamp that also holds my iPhone so I can make these cool videos.

What should I paint next?? I really want to paint locations that are outside of Utah, but I don’t love painting the same views of the most popular spots that everyone takes photos of. I kinda want to continue with public lands and National Parks too. Decisions…

Hand Painted Wood Ornaments

A while back I bought a box of little wood slices with the intention of painting them all with little landscapes and giving them as gifts. If I could get enough of them painted before Black Friday, I was considering selling them to hopefully make a few bucks before Christmas. It was mid November before I painted any, so yeah, I think I’ll have to buy another box and try again for next year.

Instead of stressing over getting a bunch of ornaments painted and shipped before Black Friday, I prepped all of them with Watercolor Ground and had the kids who joined us for Thanksgiving paint them. Ages ranged from 4 to 18 and they went to town making some really awesome ornaments. I brought Tombow markers, some inexpensive acrylic paint, and a set of iridescent watercolor that was on sale. I was so proud that they all had fun and spent a good amount of time painting their ornaments on Thanksgiving. It was a great activity for them to all do together that wasn’t a video game.

Watercolor Ground is a painting medium that can be painted onto porous surfaces to allow them to be painted with watercolor or gouache paint. I applied two coats to each of the wood slices and it allowed the wood to behave a little like watercolor paper. It’s not nearly as absorbant and you do get some bleeding or weirdness from the grain of the wood, but it’s overall a much easier surface to paint on than if I’d just painted on raw wood.

Of course I had to paint one wood piece to see how it would turn out and made this little painting of Half Dome from Yosemite National Park. I LOVED how it turned out. The medium doesn’t behave exactly like watercolor paper, but it’s close enough to make for some fun little paintings. On this one I used a combination of watercolor, gouache, and water-based brush pens. I made a TikTok video showing this process that you can see here.

I had so much fun with that first ornament that I had to make another one… or a couple more.

This time I tried for an epic sunset at Joshua Tree National Park. With the sunset I tried harder to get more of the look of a watercolor wash. The paint doesn’t blend quite as well as it does on paper, but I was happy with what I was able to achieve. Then I used gouache and brush pens for the trees and foreground. What a fun and unique park to explore! Here’s is the TikTok video I made of the process.

The next one I did was a Christmas gift for my son’s 2nd grade teacher. She has two parrots and my son had the genius idea to paint her beautiful birds onto one of these ornaments. He sent her an email asking which breeds they are (Blue Fronted Amazon and Solomon Island Eclectus) and she sent him a few photos. I was more than happy to paint them onto the little piece of wood and he wrote his name on the back. You can view the TikTok video here.

The next ornament I made for my sister of Babylon Arch. She and I hiked to this beautiful arch in southern Utah last year while we were both on a women’s retreat. It’s such a magical place with beautiful views of the Virgin River and gorgeous Navajo sandstone. For this ornament I used gouache for the whole thing. It’s been fun to re-remember how to use gouache, get the right consistency, and how to layer to get the affect I want. Here you can view the TikTok video.

For the last ornament I made this year, I made this scene from Coyote Gulch for my friend Michelle. She and I, along with another rad woman, backpacked to Coyote Gulch this past spring. I wrote a long blog post about it earlier this year. The third night of our trip, we camped under this alcove and it was such an epic camping spot. Here’s the TikTok showing this ornament’s progress.

Making these ornaments has been such a joy this fall that I'm planning to order more wood slices and then spend the spring and summer next year painting a stock of them that I will sell online and locally. I am hoping to get into some local arts and crafts fairs and festivals next year selling prints and stickers, so maybe I can sell some of these ornaments there too.

What are some epic locations you’d like to see painted on an ornament?

Follow me on TikTok!

As a middle-aged lady, AKA: member of the Oregon Trail Generation, I avoided TikTok as much as I avoided Twitter… which was a lot. But this spring a friend convinced me that TikTok could be a potentially awesome funnel for my business, so I begrudgingly downloaded it. I’m still learning how to upload videos at different lengths and how to find music that fits, all while trying to figure out how to create interesting content. But I’m starting to feel more and more comfortable with it.

My new Canvas Lamp has TOTALLY helped with this. You can read about it here.

One thing I do know, TikTok is a HUGE time suck. I will flip through a few videos and suddenly two hours have passed. I’ll go all day without looking at TikTok and see 50+ notifications that my sister or my husband has shared videos with me. #enablers

I plan to keep the content art-related as much as possible. I did post a video last week of me making peach jam, so there will be randoms non-art here and there. Although some may argue that making jam IS an art.

I have gone back and forth many times on whether to share about my taekwondo training and black belt journey. But since my black belt test is in two weeks, I feel like if I was going to document that journey, I should have started six months ago. Oh well. If I ever decide to get a 2nd Dan in taekwondo, maybe I will document THAT journey. Practicing martial arts is a whole other world when you don’t start as a kid.

Any requests on art content?? Any techniques you’d like to see?? I do a lot of landscape watercolor and wet-on-wet painting. I am considering diving back into oil painting, so maybe I’ll take some videos there too.