Art in the Barn 2024

This weekend I participated again in Art in the Barn hosted by the Draper Visual Arts Foundation. It’s a fun, local show that I’ve done for three years now. I always opt to have a tent outside of the barn at Draper City Park so I can set up my own booth. Every year I consider setting in physically IN the barn, but it gets very crowded in there and it’s just not my jam.

I got to chat with some artists who I met last year and meet a few new faces too. The DVAF brought in a food truck each afternoon and there was plans to have live music playing on Saturday afternoon too. I got to chat with Stasia, a violinist who played at last year’s event. It was awesome chatting with Jacque Tietjen with High Adventure Photography and meeting Brooke Ochs, a contemporary folk artist.

This year, Utah’s summer weather got the best of us though.

On Friday, it was breezy, a little gusty, and a few scattered moments of rain. It was honestly no biggie. My tent held up just fine and my displays are heavy wood and pegboard, so nothing budged. I just had to move things around a little bit when it rained for 10 minutes at a time.

I assumed the weather kept lots of people away. There really weren’t a lot of people, but I knew that in previous years, Friday was typically slower than Saturday.

When I signed up for this show three years ago, I had wicked anxiety about it being super windy and stuff blowing over, so my husband and I built my stuff to withstand those potential winds.

Saturday proved to be different.

There was no rain, but by about 2pm, the winds were gusting horribly. I tried to stay confident that my tent and displays could handle it. I even started painting a little bit. But when one of my 7-foot-tall displays blew over and I could see the wind trying to pull tent stakes out of the ground, I cut my losses and called it quits. Thankfully, nothing was broken.

I did manage to sell a few prints and I gave away a bunch of the Delicate Arch postcards that I had made. I got to bond with a couple of awesome artists too who were my neighbors over the fun weather. Unfortunately, both of my kids had soccer games this weekend, so they couldn’t come and hang out with me and let me browse the rest of the show. So I totally missed getting to see the artwork of my friend’s daughter.

Overall, it was disappointing to have to close up early. Saturday afternoon and evening usually brings the most people. But I also understand that we can’t control the weather. Given that this was my 3rd year at this show and this was the first time the weather played chicken with us, I count myself lucky.

And let’s be honest… a little wind and rain is still WAY better than 100°!

Three New Stickers

I added three new stickers to my shop this week. Click here to buy, share, gawk, critique, you know the drill. My #NPSLover stickers are listed first with my I ♥ Public Lands sticker right below them.

Up first is the painting I did last summer of the Milky Way over Sand Dune Arch at Arches National Park. I painted this during the weekend I spent at Draper’s Art in the Barn. It was a 2-day art exhibition (my first ever!), and I found it impossible to just sit or stand while people milled about, so I brought supplies to paint and ended up doing 3 small paintings.

Sand Dune Arch was a favorite spot of my kids when they were younger and didn’t much care about the awe of the park. Hike for just a few minutes in between these giant fins of sandstone and there’s an arch in there; it’s super short. It’s a wonderful spot to let little ones play in the fine sand and, depending on when you get there, you could rest in the shade. This spot can be super popular in the summer months when it’s hot. We’ve been to Arches multiple times, but only in April and May; which I HIGHLY recommend. Spring Break is a wonderful time to visit Moab.

You can click on the image to purchase a sticker too.

Next up is a painting I did of Corona Arch, just outside of Moab. It’s one of my favorite places ever and I did this painting for a client a while back to be printed on neck gaiters some day. For this sticker, I went with a new-to-me website, Jukebox Print, for these stickers and I LOVE how they turned out.

This is one of my favorite paintings and I had SUCH a fun time painting it. It was one of those times where I felt like I was in a groove and paper and paint just cooperated and coordinated.

Last up is Sundial Peak in Big Cottonwood Canyon and part of the Wasatch National Forest. I had to do some research to find out if this peak was on National Park Service land or BLM Land. I’m still not 100% sure, because I also see it tagged in the Twin Peaks Wilderness. This spot is close to where we live and it’s a hike I hope to do this summer. If I can plan it right (depending on snow melt and weather, we’ve had a TON of snow this winter), I want to do a backpacking trip there. It’s a tough trail with a lot of elevation gain, but it’s supposed to be worth it… barring the mosquito situation.

I painted this one just last month to help pull me out of a funk I was in. Finishing it, and subsequently making a few changes in Photoshop, really helped pull me out of my Winter Blues and the funk that I was in. I will have this available as a giclée print in a couple of sizes in the coming months.

I actually made a mistake when ordering this one as stickers. I didn’t pay attention to the wording on a sale and I ended up ordering 2x2 inch stickers. These are a lot smaller than I usually order, so I may just make these freebies to anyone who places an order.

I will order this in a 3x3 inch sticker at some point.

I want to paint some places that are gorgeous and not in Utah next. I have a few spots on my list like South Falls in Oregon, and I have a photo that I took of a beach in Half Moon Bay, California that I may paint. Any suggestions??

Milky Way Over Sundial Peak & Winter Blues

There’s something to be said about noticing when you’re in a funk and acknowledging that it’s okay and just rolling with it. I first noticed it with my kids. We’re all cranky and mornings are tougher than usual. I told them both that it’s normal for this time of year. The holidays are over, it’s cold, it’s dark, and spring and summer feel a million years away. It feels like there’s nothing to look forward to like we had in November and December. My kids and I have deemed it the Winter Blues.

*Not to be confused with actual depression. Seasonal depression is real too, and I dunno, maybe I get a touch of it this time of year?

Somehow, acknowledging that we’re all feeling it made it suck a little less. We are hanging in there and simultaneously enjoying the snow we’re getting and also anxious for spring to get here.

Last week I realized I hadn’t done any painting since the end of December. And before that, I hadn’t painted since August. I had no motivation or inspiration; which sucks because I live in such a beautiful state!

Imposter Syndrome loves these moments and chimes in with little tidbits that sound like, “you aren’t skilled enough to paint that,” “don’t even start painting that, you won’t finish it,” and the ever popular, “paint that and everyone will learn how awful/fake/not-a-real-artist you are.” She’s a sneaky bitch.

Last summer, during one of my weekend shows, a guy asked how I made the stars on my Milky Way paintings. I told him that I was trying out different techniques as I went; some I used masking fluid, some I used white ink, some I used both. He commented that on a couple, it was hard to tell if I was going for stars or snow. I took no offense because his comment came from a place of pure analysis, but it did make me think. A few of my paintings are small, 8x10 or smaller. So when I’m using masking fluid, it can be more challenging to paint smaller stars if; especially if I’m just flinging masking fluid off of a brush.

One such painting was this one of Sundial Peak and Lake Blanche. This is a local mountain to me and one I am hoping to hike or backpack to this summer. The first time I painted it, I used masking fluid to make the stars. I splattered it on the page and then erased it off when the painting was done. It acts similarly to rubber cement. This original is maybe 8x10 inches, and I didn’t have the patience to make smaller stars by using a tiny brush and doing one at a time. You can watch a time lapse video of how I made this painting here.

I wanted to repaint this mountain on larger paper and see what I could come up with. This version has a bit more snow, more sky, and less of Lake Blanche. I skipped using masking fluid this time and made all of the stars with white pens.

This one took me more than a few days. I would paint a small part and step away for a day or two before coming back to it. I wasn’t thrilled with the mountains, feeling like they lacked some depth. Then I wasn’t happy with parts of the sky; the blues not inky enough. I wasn’t sure how I wanted to show the little bit of Lake Blanche that shows at the bottom. The reference images I had showed dark green spots where it was iced over.

I overthought this one a lot. Heck, I still am. I already know a few spots I want to change in Photoshop; like that stripe of snow down the middle that I didn’t intend to go almost perfectly vertical, LOL. I’ll scan this one and make it into prints and stickers…. after I’m happy with it.

Here you can watch the time lapse of how it was made.

Here’s a list of the supplies I used; including links. Some are affiliate links.

• Daniel Smith Watercolor

• Fluid 100 Cold Press 300lb Watercolor Paper

• Polina Bright Watercolor Brushes

• Princeton Velvetouch Brushes (Long Round in sizes 4, 8, and 12, and a flat 10)

• Pocket Palettes from Art Toolkit

• The World’s Colouriest Watercolor Set from Culture Hustle

• Uni-Ball Signo Broad Point White Gel Pen

• Zebra Fude Waterproof Brush Pens

…and the desk lamp that also holds my iPhone so I can make these cool videos.

What should I paint next?? I really want to paint locations that are outside of Utah, but I don’t love painting the same views of the most popular spots that everyone takes photos of. I kinda want to continue with public lands and National Parks too. Decisions…

Hand Painted Wood Ornaments

A while back I bought a box of little wood slices with the intention of painting them all with little landscapes and giving them as gifts. If I could get enough of them painted before Black Friday, I was considering selling them to hopefully make a few bucks before Christmas. It was mid November before I painted any, so yeah, I think I’ll have to buy another box and try again for next year.

Instead of stressing over getting a bunch of ornaments painted and shipped before Black Friday, I prepped all of them with Watercolor Ground and had the kids who joined us for Thanksgiving paint them. Ages ranged from 4 to 18 and they went to town making some really awesome ornaments. I brought Tombow markers, some inexpensive acrylic paint, and a set of iridescent watercolor that was on sale. I was so proud that they all had fun and spent a good amount of time painting their ornaments on Thanksgiving. It was a great activity for them to all do together that wasn’t a video game.

Watercolor Ground is a painting medium that can be painted onto porous surfaces to allow them to be painted with watercolor or gouache paint. I applied two coats to each of the wood slices and it allowed the wood to behave a little like watercolor paper. It’s not nearly as absorbant and you do get some bleeding or weirdness from the grain of the wood, but it’s overall a much easier surface to paint on than if I’d just painted on raw wood.

Of course I had to paint one wood piece to see how it would turn out and made this little painting of Half Dome from Yosemite National Park. I LOVED how it turned out. The medium doesn’t behave exactly like watercolor paper, but it’s close enough to make for some fun little paintings. On this one I used a combination of watercolor, gouache, and water-based brush pens. I made a TikTok video showing this process that you can see here.

I had so much fun with that first ornament that I had to make another one… or a couple more.

This time I tried for an epic sunset at Joshua Tree National Park. With the sunset I tried harder to get more of the look of a watercolor wash. The paint doesn’t blend quite as well as it does on paper, but I was happy with what I was able to achieve. Then I used gouache and brush pens for the trees and foreground. What a fun and unique park to explore! Here’s is the TikTok video I made of the process.

The next one I did was a Christmas gift for my son’s 2nd grade teacher. She has two parrots and my son had the genius idea to paint her beautiful birds onto one of these ornaments. He sent her an email asking which breeds they are (Blue Fronted Amazon and Solomon Island Eclectus) and she sent him a few photos. I was more than happy to paint them onto the little piece of wood and he wrote his name on the back. You can view the TikTok video here.

The next ornament I made for my sister of Babylon Arch. She and I hiked to this beautiful arch in southern Utah last year while we were both on a women’s retreat. It’s such a magical place with beautiful views of the Virgin River and gorgeous Navajo sandstone. For this ornament I used gouache for the whole thing. It’s been fun to re-remember how to use gouache, get the right consistency, and how to layer to get the affect I want. Here you can view the TikTok video.

For the last ornament I made this year, I made this scene from Coyote Gulch for my friend Michelle. She and I, along with another rad woman, backpacked to Coyote Gulch this past spring. I wrote a long blog post about it earlier this year. The third night of our trip, we camped under this alcove and it was such an epic camping spot. Here’s the TikTok showing this ornament’s progress.

Making these ornaments has been such a joy this fall that I'm planning to order more wood slices and then spend the spring and summer next year painting a stock of them that I will sell online and locally. I am hoping to get into some local arts and crafts fairs and festivals next year selling prints and stickers, so maybe I can sell some of these ornaments there too.

What are some epic locations you’d like to see painted on an ornament?